![]() It automatically falls back to its customary focus control when the camera is switched to manual focus. Īperture: The multi-function control ring of the Z-Nikkors can be assigned to operate the aperture, exposure compensation, ISO (not on the Z fc), or focus (which is the default setting). The focus ring has the usual variable gearing to assist in precise manual focusing but cannot be switched to linear response for smooth focus pulling in videos. Manual-focus override is by simply turning the focus ring – if you didn’t assign another operation to the multi-function ring of the Z-Nikkors. Īutofocus: All three lenses in this comparison offer autofocus. The Z 50mm f1.8 S and Z 35mm f1.8 S both need 62mm filters. ![]() Just be aware that neither Nikon’s Z fc nor Z 50 cameras have image stabilization. But Nikon’s full-format Z bodies provide built-in sensor-shift stabilization over 5 axis for any Z-Nikkor – plus an optional electronic stabilization in video mode. Image stabilization: None of the three lenses in this comparison offers optical stabilization. The Z 40mm f2.0 achieves a magnification of 1:10 at a distance of 0.46m (1.5ft.). But the other two Z-Nikkors are not much different at 1:6.0 and 1:4.8 for the Z 50mm f1.8 S and Z 35mm f1.8 S respectively. ![]() Minimum object distance / maximum magnification: At 0.27m (0.9ft.) distance the Z 40mm f2.0 achieves a maximum magnification of 1:5.1 – which is not much and results in a working distance of 0.21m. Both S lenses have Nikon’s Nano-Coating to reduce flare, glare and ghosting. The Z 50mm f1.8 S has 12 elements in 9 groups with two special dispersion and two aspherical elements, the Z 35mm f1.8 S is of similar complexity. Optics: The lens has a very simple optical design with only 6 elements in 4 groups including two aspherical elements.
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